Tuesday, 16 September 2014

The Paramount Antitrust Case

The Hollywood Antitrust Case (The Paramount Antitrust Case):
·       -  On May 3rd 1948, the US Supreme Court decided the Paramount Antitrust Case, a long running government antitrust lawsuit against Paramount Pictures.

·         This Case was actually two major suits (and numerous minor ones). In result there were two "Paramount cases."

·         It effectively brought an end to the studio system and class cinema.

·         Before Paramount, there was a 1928 antitrust lawsuit brought by the Federal Trade commission against the Famous Players- Lasky Corporation (forerunner to paramount) and nine other major film studios.

·         They were declared guilty of violating antitrust law in 1930, however the studios were able to continue running as normal after making a controversial deal with the government.

·         In July 1938, the government took back its stance towards Hollywood and filed its lawsuit against seven major studios: Paramount, Universal, MGM, Twentieth Century- Fox, Warner Bros., Columbia and RKO.

·         The government’s case accused the studios of violating the Sherman Antitrust Act in their total control over movie distribution and exhibition (vertical integration. At the time, the studios controlled almost all the countries movie theatres. They did this through either ownership of their own theatre chains or block booking which was where independent theatre owners signed contracts with studios that meant they had to show a “block” of films.

·         The government was demanding that studios end block booking and get rid of their distribution arms or their theatres.

·         The case first went to trail in June 1940 but was called off when the government and studio attorneys comprised a deal where studios would keep their movie theatres but limit block booking.

·         This led to the formation of the Society of Independent Motion Picture Producers (SIMPP) by some of the leading movie producers of the time, including Charlie Chaplin, Walt Disney, Samuel Goldwyn, David O. Selznick, Mary Pickford and Orson Welles.

·         This then led to the government’s antitrust case being back into court in 1945. The case got taken to the U.S. Supreme court.

·         The trial proceeded quickly once it reached the Supreme Court in 1948.

·         On May 3rd, the court issued its ruling, which confirmed the earlier verdicts and declared the studios guilty. The studios were made to sign consent decrees that would end block booking by requiring films to be sold on an individual basis.  

Class Notes

Vertical Integration: 

  • Production, distribution, exhibition.

Block Booking: 

  • It was an important part of the studio system
  • A studio would sell multiple films to theatres as a unit
  • This would typically include only one attractive A-budget movie that the theares really wanted and the rest would be a mix of budget pictures of dubious quality and lower budgeted B-movies
  • B-movies use up coming stars. The actors can then get noticed to be in A-movies.
  • Block booking gave a freedom to choose what you want to watch
Key term: Monopolisation(having full control and power)

  • The big five owned cinemas
  • In some cases, one studio would even control all theatres.
  • By 1945, the studios owned either partially or outright 17% of the theatres in America, accounting for 45% of the film revenue
  • Studios were infamous for owning their stars, a practise that is known as the star system
  • In 1945 there was no television, cinemas showed newsreels about the war.
  • Studios usually had the actors, producers, directors and writers under contract.

Monday, 15 September 2014

Narrative in the media

Narrative

  • Narrative is an important convention of media
  • Characters and events are packed into stories to present media texts. 
  • Narrative can be developed, for example in film drama and documentaries where the whole story is told.
  • Continuous narrative/serial narrative is used  for television news broadcasts and soap operas.
  • Mini narratives like short images seen on the news are called 'snapshots'.
Things that make up a narrative:
- Narrator
-Point of view
-Listener/audience
-Structure
-Genre. (Genre governs its setting, what's narrated about, the characters and the effect on the reader)

Genre

  • Setting has to make the genre recognisable. For example, for Gothic you would typically have a dark, old setting.
Characterisation 
  • The factors of characterisation are the complexity, status, function of character and the reliance on stereotypes and the emphasis on particular aspects of those characters-sexual,moral,,psychological.
  • This then links to the plot as the characters are a part of what makes it interesting.
Plot and Structure
  • Genre influences the plot. For example, romantic text always involves a desired object or person and is based on that pursuit.
  • Narratives are structured on the principle of the disorder(the problem), transgression or disequilibrium. 
Themes and Concern
  • Particular genres are concerned with exploring certain issues or themes. E.g romance text usually faces the issue of reason vs passion 
Pleasure, expectations and Narrative address.
  • Each genre creates expectations with the audience. These expectations are different types of pleasures. These are usually cognitive (problem solving, analytical) or affective (empathy,escapism).   
Style
  • Genre influences a films technique and the way its produced. The audience are usually able to tell what type of film they're watching.

Studio Presentation

My presentation on 21st Century Fox and Universal Studios.



















Monday, 8 September 2014

Popular film in the 1920's

Wings

Music from this clip:The Gift Of Mortality (Instrumental

Wings is a 1927 American silent war film set during the First World War. It was produced by Lucien Hubbard and directed by William A.wellman.It was released by Paramount Pictures.It stars Clara Bow, Charles "Buddy Rogers, Richard Arlen and Gary Cooper appears in a role which helped launch his career in Hollywood. 
  • Wings, a romantic action-war picture won the first ever academy award for best picture in 1927

Why was it so successful?
  • The film was widely praised for it's realism and technical prowess
  • Was very popular because of the public infatuation with aviation(flying) in the wake of Charles Lindbergh's transatlantic flight 
  • The combat scenes of the film were praised for being so realistic
  • It was Paramounts biggest star of the time
  • Wellman (the director) was the only director with experience who had World War 1 combat pilot experience in the time
  • Was one of the first films to show two men kissing and also one of the first widely released films to show nudity 

Monday, 1 September 2014

Task 7



UK Based Drama:Top Boy

Top Boy is a UK based drama about young lives lived on the edge in east London. Channel 4 describes it as 'an honest and gripping rendition of inner-city drug and gang culture.'

Top Boy represents young people as troubled, bad tempered, violent and stuck in gang life, it uses a number of techniques to portray this. Costume is used effectively throughout the programme. Characters wear baggy trousers/jeans worn quite low with their boxers showing. This shows the audience that they think they look 'cool' with their clothes worn like that. This suggests that young people don't care what they look like or how their represented. They also wear trainers and often have their hoods up. Having their hoods up has connotations of being quite 'chavy' and meets the stereotypical convention of being a 'hoodie.' This suggests that young people are anti social and intimidating. The fact that they're always in trainers shows that they never go anywhere that would require wearing smart clothing. This shows their quite lower class and stuck in inner city gang life which suggests that young people that grow up in a similar area will experience the same problem.The young girls all tend to wear short skirts and big hoop earings, the short skirts could show promiscuity and little self respect whilst the hoop earings further emphasise the 'chavy' appearance. 

Props and setting are also used to present the lives of the young people. The programme starts with a mid long establishing shot of the flats on the estate and the run down surrounding area. This is important as it allows the audience to see the area and sets the scene for them. It straight away shows the violent area that they live in. Most of the characters in the film are of a black ethnicity. This is important as the programme gives a stereotypical representation of a young black person living in a rough part of London. Following the establishing shot there's a crosscut to a mid close up of the main character thirteen year old Ra' Nell looking out from the balcony of his flat watching the violence and mayhem going on in the car park in front of him. This suggests that he's looking out onto the life he knows he'll one day have. This shows that young people need help to make sure they don't end up like that. In the car park, gang members are sat on cars with alarms going off and holding knives and baseball bats. This presents young people as violent and feared by the rest of the community. This is followed by a jumpcut to a mid shot of a busy market in East London where gang leader Dushane who runs the underground drug business is doing drug deals. This shows their way of life and suggests that young people think that drugs are acceptable. It shows the audience the lack of morals that the characters have. The gang members all use slang like 'yo bro' which further emphasises their lifestyle. It also represents young people as being often illiterate. 

The camera is eye level to make the programme seem more realistic. It could also be to put the audience in the perspective of a young person in that situation. Ra' Nell and his best friend walk past the market and witness the drug deal. This suggests that this is something young people have to witness every day. When Ra'Nell and his friend arrive at the flat there's a sideway tracking shot to show the flat as they walk through it. It's  messy with food and glasses left all around the rooms. There's little furniture, anything they do have is old or damp.This shows they Ra'Nell and his mum both leave the place untidy and don't have much money. This suggests that most young people living in a rough area are in poverty. His friend has his dog, a Staffordshire bull terrier with him at all times. This suggests that the dog is used for protection and has connotations of violence. He says to Ra'Nell 'wheres your mum?' Ra'Nell replies 'I don't know' the lack of concern in his answer suggests that his mum is rarely at home. This suggests young people often have to look after themselves. A jumpcut is used to show his mum in hospital where the doctor diagnoses her with a mental illness. She doesn't say anything to the doctor or mention her son as she doesn't want him taken into care. This shows that Ra'Nell would have to be looking after himself whilst she's in hospital. 

The next morning on his way to school Dushane stops him in the street and asks him to start 'rolling with them' Ra'Nell replies 'my mum wouldn't like that' which shows that as he's young there's still time for him to make the right choices. However his friend pushes him suggesting that he should take the offer. This shows that young people often experience peer pressure. As he returns home from school it's raining. This use of pathetic fallacy is effective as it sets the tone and suggests something bad might happen. Low key lighting is used in his flat which creates a sad, lonely atmosphere. It could also suggest that his future isn't bright.

Task 6




Chosen Director : Steven Spielberg

Chosen Director: Steven Spielberg

Known for: War Horse, Saving Private Ryan, Jaws, E.T, Jurassic Park, Casper, Schindler’s List, Lincoln, Close encounters of the Third Kind and many more.

Genre: Spielberg directed many films with different genres such as action, adventure, sci-fi, thrillers, children’s, historical, drama, war based and true life stories. His early years were mostly science fiction and adventure films for example; E.T, Close encounters of the Third Kind and Jurassic Park. However, in the later years he began addressing humanistic issues such as the Holocaust, transatlantic slave trade, war and terrorism for example; War Horse, Saving Private Ryan and Munich. His historical based drama films are also very popular such as Schindler’s List, Lincoln and Amistad.

Storylines/themes of the films: Spielberg’s films tend to follow similar themes, they tend to convey a certain ‘heaviness/darkness’ regarding adult life but joy regarding children. For example in E.T and Empire of the Sun. His portrayal of adult life is usually marked by dark destructive behaviour, such as Schindler’s List and Amistad. His war films also tend to follow similar storylines, for example War Horse and Saving Private Ryan where the main characters embark on a mission at war.

Lighting/Colour: Spielberg uses lighting to create effect. In a lot of his films the scenery interior involves a backlit window with streams of light on the character to create a silhouette. He also uses a lot of low key lighting to set a dark tone. He uses intense lighting usually from above or outside. For example in Close Encounters the small boy standing against the doorway is blasted out with an alien light. This is effective because the light represents the danger that awaits outside the door.

Spielberg uses similar camera shots, angles and edits in a lot of his films. Sideway tracking shots are used effectively, the camera follows the characters usually from a long shot as they're walking or talking. This is shown in both Saving Private Ryan and War Horse. It’s effective as it adds a fast pace to the film and allows the audience to see the characters movement clearly and feel as if they’re in the film. Sideway tracking shots are also used when the character approaches the camera at the end this is effective when a character is trying to persuade another character. For example, the scene in Jaws where Martin Brody and his wife walk and talk before he boards the boat. It makes the audience feel as if the character is talking to them. Long establishing shots are used in a lot of films to set the scene for the audience such as in War Horse. Spielberg also likes to use over the shoulder shots, this is effective in emphasising a movement of particular significance. This is shown in Munich and Catch me if you can. The most common technique I’ve seen used is a wise lenses. He uses it to emphasise the characters and the setting around them. He does this a lot in Schindler’s List.

Spielberg doesn’t tend to use the same actors, however he uses a lot of John Williams’s music. John Williams is a music composer and has worked on most of Spielberg’s films such as Indiana Jones, Jurassic Park, Close Encounters and Jaws.


Amblin Entertainment is the production company that distributes Steven Spielberg’s films. It’s an American film and television production company founded by Spielberg himself. The company mostly distributes Spielberg’s film however it also distributes some of a similar genre such as the Men in Black films.